TILT, along with DEADLOCK and KRYZYS, were one of the key musical formations in the first wave of punk scene in Poland. They were a part of a cultural subversion. They created a space filled with a community which could boldly express itself and propose its own artistic forms regardless of external and internal limitations. Creativity and having a means of self expression allowed people to escape the expectations and control of a gloomy political regime. The formation of subsequent music groups, the first Polish-language zines, leaflets, graphics, collages, performances and other forms of artistic expression, all formed an undeniable movement, which at the turn of the decade between the 1970s and 1980s, initiated the culture of what is referred to as third circuit – underground network for the distribution of information while the second circulation had consisted of political opposition to the communist party. "On the Border line” contains brilliant and great sounding four songs influenced by the transformation occurring amidst the first wave of punk rock into what became known as "post-punk." The songs were recorded during a two-hour session at Studio S1 of Polish Radio during the first months of 1980. Additionally, the album includes an acoustic version of the song "Photo is photo” which was recorded on a four-track at Tomek Lipi?ski's house. Songs from these sessions appeared in classic Henryk Gajewski's films, "Tilt Back” and “Passenger”.