Always pushing themselves, DEIPHAGO teamed up with producer Kurt Ballou (Converge) to record I, The Devil, with mastering handled by Brad Boatright (Audiosiege), and the legendary Joe Petago returns to do the album's cover art. Featuring eight songs in 40 minutes, I, The Devil sees DEIPHAGO taking their ever-singular "Experimental Hyper-speed Satanic Bestial Metal" down avenues both more violent and more angular. No other nowadays metal band sounds this extreme - extreme violence, extreme progressiveness, extreme EXTREMITY - and I, The Devil shall prove, once again, that DEIPAGHO are truly in a league all their own. If the Colin Marston-produced predecessor Into the Eye of Satan displayed a band aiming for the most atonal and challenging ends of the black/death spectrum, then I, The Devil will prove that DEIPHAGO have crossed their Rubicon - and they've left everyone behind, cowering in their conservatism. No empty words here: I, The Devil is twisted, violent genius and avant-garde obliteration simultaneously. It is NOT for normcore metalheads, weekend warriors, or "diehards only" posers; it reverberates with the righteously unorthodox, those who dare to seek beyond the borders of the "sheep in wolf's clothing" conservatism endemic to underground metal, or simply metal in general. There DEIPHAGO stand, crushing those very borders, and any who would stand in their way. Behold I, The Devil and await the sweet kiss of utter annihilation.