Striborg’s first digital recording, committed to platter in the spring of 2006 “Ghostwoodlands” is one of the artist's greatest efforts. The performance is very tight – a very well-rehearsed album as promised.Whilst he seems to continue with the formula of 3-4 long songs + ambient filler established a few albums earlier, Ghostwoodlands is different, or at least it seems to be, because for once you can hear every note. There is a very pleasing moaning undertone created by the layered foamy guitars and the drums are carefully arranged to mark out the songs’ progression, as if guarded steps taken through the tangles of the forest. Overall - a fascinating album with a unique atmosphere. Nothing new as far as Striborg goes, just better than ever before. Don’t hesitate to pick this up when hedging bets between contemporary depressive releases.